Blog Archives
Exciting News!
As of today, I am the Correspondent in the Boston area for a new program on No Depression, a wonderful magazine dedicated to all things roots music! Called ND Roots, I am partnered with Club Passim in Cambridge, and will be bringing you reviews of many shows.
For these shows, the reviews can be accessed through my page on ND Roots and photographs will be posted on this website. I will provide links from each to the other so you dear readers will not miss anything!
I am thrilled to be part of this new program. To quote Kim Ruehl, editor of No Depression, ‘I am the most important voice on live Americana/roots music in the Boston area!’ Thanks Kim!
My first two reviews are here: Driftwood and Noel Paul Stookey.
Some Things Change, Some Things Stay The Same
Here’s the link to my review on No Depression of this nostalgic (for me) folk show by Noel Paul Stookey at Club Passim on Sunday, January 11, 2015.
Warming Up a Wintry Night With Driftwood
Here is a link to my review on No Depression of this terrific American roots rock show by Driftwood at Club Passim on Saturday, January 3, 2015.
Ellis Paul Continues to Impress
I last saw Ellis Paul perform about twenty years ago, so I was long overdue for another show. He has a residency of sorts at Club Passim around New Year’s Eve; I had an opening in my schedule and decided this was the perfect opportunity to see him again.
The show I attended, the night before New Year’s Eve, was the first of four shows comprising this year’s residency; I don’t know if all shows sold out, but my show did. Read the rest of this entry
Another Enchanting Evening With An American Songster
I have come to the realization that I am going to see Dom Flemons every chance I get! I saw him a couple of weeks ago at Club Passim, which was the second time I saw him in 2014.
Not only is he a terrific musician and ethnomusicologist, he’s a warm, personable man as well.
A Fine Guitar Performance
This was another show that I attended based on a friend’s suggestion. I had heard of Pierre Bensusan, the French-Algerian guitarist who is celebrating his 40th anniversary as a musician, but had never seen him perform or even heard more than a few numbers.
Pierre performed to a sold-old crowd last week at Club Passim, which I knew would be the perfect place to see him.
Stellar Guitarists At Club Passim
I saw Julian Lage and Chris Eldridge perform together at the Deadly Gentlemen’s Ball in January, so I knew what to expect or so I thought.
I would venture to guess that the more they play together, the better they get; that was certainly the case last week at Club Passim. Read the rest of this entry
Willie Nile, A Great Storyteller
Willie Nile is one of the best singer-songwriters you don’t know, yet he’s been around long enough that he opened for The Who and recorded in the same studio at the same time as Yoko Ono and John Lennon.
Music maven that I am, I wasn’t familiar with Willie until a couple of years ago when I saw a picture of an elementary school friend playing with him. That was reason enough to check him out in a live performance. Now, I will see him every time he plays in the Boston area, especially if he’s at Club Passim.
It’s Always the ‘Year of the Cat’ for Al Stewart!
As it is in my house (with four long-haired cats), but Wednesday night it was all Al Stewart‘s ‘Year of the Cat’ at Club Passim. It was a spur-of-the-moment decision to see this show, and we were lucky to get tickets for his second sold-out performance.
If you haven’t figured it out by now, I’m extremely open-minded about hearing live music – if I trust someone’s opinion, I’ll go hear the band. The previous night, my friend suggested we go. I knew Al’s biggest hits – ‘Year of the Cat’, “Time Passages’, ‘On the Border’ and ‘Song on the Radio’ – but not much of his deep catalog, so I was looking forward to the show. Read the rest of this entry
Great Evening of Toe-Tapping Music
I love bluegrass music! There, I said it… I went to Club Passim tonight to hear Laney Jones, a young bluegrass banjo/ukelele/harmonica player who writes all her own material, who was opening for Nora Jane Struthers.
They each perform different styles of bluegrass/Americana, but their styles mesh well for a double-bill show. Read the rest of this entry
































